Drake drops the More Life album, speaking directly to my life. His uncle looks like a darker skinned Donald Grefe – who filled the role as “uncle”, and eventually “dad”, for me, for a while. The Toronto, Ontario Northern artist has been a part of the journey since I started recording music. I don’t know how long he’s known I’m God, and that the industry has sucked and siphoned whatever they possibly could off me for their profit, but he knows something. My favorite project so far from Drake. Views played a role too, or “Once Dance” did at least.
The fourth studio album from Toronto, Canada OVO founding artist Drake (April 28, 2016). He’s been a big part of the scene up there for many years now. This is his testament for “The 6”.
This is a smooth collection. Drake’s voice cuts through the mix, and he has the lungs to keep the track going. He’s known for biting flows and sounds, which Meek Mill and others called him out for not that long ago. We know he doesn’t write at least some of his music, and as a Hip Hop artist and supporter, I feel that harms those that always speak for themselves.
Drake’s music is always on point, though, and he did this one nearly alone. His production is the finest in his synthy Trap with R&B tendencies. Drake has finessed his style of Hip Hop into pop radio, so now, producers line up to make the next “Drake type beat”. Just look on Youtube, they’re all over.
This tape also has a lot of Jamaican Dancehall on it, and I think it can be good to incorporate music, old or new, to make new good music. Kanye West has played a big role in incorporating different cultures into his heavily sampled style. Drake has been working with a lot of folks and repping the fuck outta OVO and his city in the process. He’ll be known for bringing it in.
Drake had a lot of music, so he dropped it. Now, he’ll move forward onto the next project. That’s how it should be. I think it’s time we all look at the music for what it is and then the artist as another entity. Views is a full album of quality rap from Drizzy, inspired at least partially by the changing of seasons in Toronto.
Allan Kingdom created his own sound for Northern Lights. He brought Hip Hop and Folk together with a nerdy flow and a folksy way of singing, fitting the two seemingly contrasting styles together more beautifully than one would ever expect. Yesterday (January 6, 2016), the emcee went Minnesota weird with his latest album.
The artist was born and raised in a cold, serious environment Up Nort – many miles from the rest of the cities in The Midwest. The St. Paul, Minnesota artist had no choice but to find a new angle, even coming from the more unknown side of the Twin Cities. Minneapolis has had Rhymesayers since the mid-90s but the other half wasn’t popping until Thestand4rd dropped in 2014.
In 2014, Kingdom became part of one of the most talented teams in the country. With Spooky Black, Bobby Raps and Psymun on the team, the group together goes in a more R&B direction than Northern Lights, but they work together on everything. The lows will be the most ominous on one joint and then switch up to the utmost funkiness on faster tracks. The Stand4rd is creative with the drums, beeps and boops. They always grab a bright sample to bring the Soul in the mix out too. The group is on a new wave Hip Hop / Folk fusion.
Allan Kingdom is more into rap. He has a hard Midwest flow with somber undertones – like he’ll be out committing sins to repent them in church the following Sunday. Get turnt to “The Ride” and “Monkey See”. Fade into “Fables” and “Hypocrite” with an open mind. Then play “Northern Lights”, “Disconnect” and “I Feel Ya” a few times back.
The Minnesota artist has his own thing popping and this album shows that. He has a huge range on the project. His flow is smart and his singing is on a new wave. The production is always on sumn weird. Coming from a cold city in The North, Kingdom will bring people together with his brilliant music, regardless of where they’re from.
